How to Read Literature Like a Professor Chapter Analysis Essay

Chapter 1 Every Trip Is a Quest (Except When Its Not)In Chapter 1 the author explains the emblematical groundsing of why a image takes a jaunt. They dont practiced take a trip they take a quest. Structur exclusivelyy a quest has a quester, a place to go, a stated reason to go there, challenges and trials en route, and a reason to go there. Quests usually involve characters such as a knight, a dangerous road, a Holy Grail, a dragon, an evil knight, and a princess. The quest also involves the character to gain self-knowledge out of taking the adventure to the stated place where he or she is going.Chapter 2 Nice to Eat with You Acts of CommunionChapter 2 tells of the symbol that takes place while characters are eating a meal together. The author states that when people eat together it is saying Im with you, I care you, we form a community together. The meal also shows how a person feels towards another person. It can show whether you like or dislike the person. The author explai ns how the description of the food isnt just to inform you of what is being eaten. It is to draw you into the moment and help you feel the realism of that moment.Chapter 3 Nice to Eat You Acts of VampiresIn Chapter 3 the author explains in Chapter ternary how vampirism isnt constantly close to vampires. Vampirism is a characteristic a character can portray, such as selfishness, exploitation, and rudeness. The character takes value of people, like a vampire would to his prey. Many authors actually use vampires, ghosts, or doppelgangers to portray vampiristic qualities instead of letting the reader infer those qualities into a human.Chapter 4 If Its Square, Its A SonnetChapter 4 tells closely how sonnets are formed and how to identify a sonnet.Sonnets are in a square shape and they al way of lifes withdraw 14 lines in them. The author says that sonnets may be challenging to understand, but they are the most interesting poems be creator they are able to say what they look at to say in only 14 lines and 10 syllables.Chapter 5 Now, Where Have I Seen Her Before?In chapter 5 the author explains how stories overlap in a way. Book are never totally original. They all use similar characters with similar personalities. Authors use other authors to influence their style of make-up and what they write about.Chapter 6 When In Doubt, Its from Shakespeare . . .Chapter 6 is all about William Shakespeare. The author believes that almost all stories written were somehow influenced by a play or sonnet or some sort of Shakespeares works. Some of correct the most famous stories ever written were somehow connected to a piece by William Shakespeare.Chapter 7 . . . Or the BibleChapter 7 is similar to the chapter that refers to Shakespeare. It states how every piece of literature is somehow related to or referring to the Bible. They all involve things such as temptation, betrayal, denial, etc. Also, writers refer to the Bible because almost everybody knows at least some of t he stories from the Bible.Chapter 8 Hanseldee and GreteldumIn chapter 8 the author explains how many stories are connected to milksop tales, like a parallel. Fairy tales are easy to connect to because they all have a plot and solution, so there is always a way to connect a story to the fairy tales.Chapter 9 Its Greek to MeChapter 9 is about myths and how they are related to Greek mythology. There are three types of myth Shakespearean, Biblical, and fairy tales. There are many things connected to Greece. Many things are named and based off of Greek characters. Mascots, towns, and some people are even named after some of the greates heros of Greek times.Chapter 10 Its More Than Just Rain or SnowChapter 10 is about the symbol of weather. The author talks of the uses of weather such as rain, wind, snow, etc. The uses are plot device, atmospherics, democratic element, cleansing, and restorative. The weather is a very critical detail in setting the opinion for stories.Chapter 11 More Than Its Gonna Hurt You Concerning ViolenceChapter 11 is about the significant involveing of violence. There are two categories of violence in literature the specific injury and the narrative violence. Specific injury causes characters to visit on one another or on themselves. Narrative violence cause the characters to cause harm in general.Chapter 12 Is That a Symbol?Chapter 12 is about symbolism. The author says that not everybody leave behind think a symbol will mean the same thing and it wont. The symbol is whatever you think it means. Some writers make their symbols direct, but most let you use your own imagination.Chapter 13 Its All PoliticalChapter 13 was about how most writing is political. It was about how writers secretly put their political point of views into their stories. Usually political writing is tiresome and vague. Some writing is more political than others, but nearly all writing is political on some level.Chapter 14 Yes, Shes a deliverer Figure, TooChapter 14 is about how almost everything, in some form, is a Christ figure. The chapter gives a list to relate characters to. The list is 1. crucified, wounds in the hands, feet, side, and head 2. in agony 3. self-sacrificing 4. good with children 5.good with loaves, fishes, water, wine 6. thirty-three years of age when last seen 7. employed as a carpenter 8. known to use humble modes of transportation, feet or donkeys preferred 9. believed to have walked on water 10. often portrayed with arms outstretched 11. known to have spent time alone in the wilderness 12. believed to have had a confrontation with the devil, possibly tempted 13. last seen in the company of thieves 14. creator of many aphorisms and parables 15. buried, but arose on the third day 16. had disciples, dozen at first, although not all equally devoted 17. very forgiving 18. came to redeem an unworthy world.Chapter 15 Flights of FancyChapter 15 is all about the symbolism of flying. Flying is freedom. Thats what it constitut es. Usually stories are fiction when you see a character flying, but when you do the person is either a superhero, ski jumper, crazy, a circus act, suspended on wires, an angel, or heavily symbolic.Chapter 16 Its All About Sex . . .Its All About Sex, or Chapter 16, is about the symbollic meaning of sex in a story or movie. The author says that usually sex isnt even about the sex or things that have nothing to do with sex are usually about sex.Chapter 17 . . . Except SexChapter 17 is about how sex is never actually utilize in literature. Authors always describe the scene before and the scene after but never the inbetween. There is really only one way of writing about sex, of course the characters can do different things but in the end its still the same thing. thats why its ok to just leave the actual physical part out of the bookand only describe the before and after.Chapter 18 If She Comes Up, Its BaptismChapter 18 is all about the significance of water. When a character goes unde r water and comes back up, it usually means that the character was renewed or reborn. Then after that the character will be a whole new being. Sometimes the character goes under and doesnt come back up, but the only significance this has is that the character dies.Chapter 19 Geography Matters . . .Chapter 19 is about the geography. The geography symbolizes the mood of the characters. Such as if a character is on the beach they are usually relaxed and calm. Hills can symbolize journeys or difficult tasks that the character has to overcome.Chapter 20 . . . So Does SeasonChapter 20 is about the effect seasons have. Most teenage movies are set in the spend because that is supposedly the prime of their lives. Winter signifies age and the characters are usually moody or gloomy. When it is fall the characters are probably changing is some ways. Spring the character is probably renewed in some way.Chapter 21 Marked for GreatnessChapter 21 is about how defaults in a character mean more than just some sort of handicap. Everything has a meaning. Take for instance the scar on Harry Potters head. It has a story of its own. It reminds him of his parents and what happened to them.Chapter 22 Hes Blind for a Reason, You KnowChapter 22 is about the symbolic meanings of screenness. Not all the time instories is the person who is literally blind actually the blind one. Blind people can be the people who have sight but are greedy and selfish.Chapter 23 Its Never Just punk Disease . . .Chapter 23 tells about how when an author mentions heart disease in a story, its never just heart disease. Since the heart represents practically all emotion, when the heart has troubles it could be interpreted as lonliness or pain. Usually the characters with heart disease are never happy with life.Chapter 24 . . . And Rarely Just ailmentIn chapter 24 the author suggests the use of illnesses. He states that when writing a story, you cant just use any illness off the natural covering of your min d. The illness must be picturesque, meaning that the illness should affect the physical appearance of the character. Also the illness should have strong symbolic or nonliteral possibilities.Chapter 25 Dont Read with Your EyesChapter 25 is called Dont Read With Your Eyes. The chapter is basically a restatement of previous chapters, just repeating that readers indispensability to think of the story in a different perspective and that they should see the author or maybe the characters point of view.Chapter 26 Is He Serious? And otherwise IroniesIn chapter 26 the author states that even though we went through the entire book learning about all of these new symbolic meanings in literature, sometimes irony will come and mess things all up. He says something that helps me remember irony trumps everything. Even though we spent hours reading about all of the symbolic and metaphorical possibilities in stories, there only has to be one, tiny ironic thing that could come along at the end of the story and completely rinse out all of the symbols and metaphor we just read.